Walt Whitman (1819–1892). Leaves of Grass. 1900. 14. Walt Whitman
I CELEBRATE myself;
And what I assume you shall assume;
For every atom belonging to me, as good belongs to you.
I loafe and invite my Soul;
I lean and loafe at my ease, observing a spear of summer grass. 5
Houses and rooms are full of perfumes—the shelves are crowded with perfumes;
I breathe the fragrance myself, and know it and like it;
The distillation would intoxicate me also, but I shall not let it.
The atmosphere is not a perfume—it has no taste of the distillation—it is odorless;
It is for my mouth forever—I am in love with it; 10
I will go to the bank by the wood, and become undisguised and naked;
I am mad for it to be in contact with me.
The smoke of my own breath;
Echoes, ripples, buzz’d whispers, love-root, silk-thread, crotch and vine;
My respiration and inspiration, the beating of my heart, the passing of blood and air through my lungs; 15
The sniff of green leaves and dry leaves, and of the shore, and dark-color’d sea-rocks, and of hay in the barn;
The sound of the belch’d words of my voice, words loos’d to the eddies of the wind;
A few light kisses, a few embraces, a reaching around of arms;
The play of shine and shade on the trees as the supple boughs wag;
The delight alone, or in the rush of the streets, or along the fields and hill-sides; 20
The feeling of health, the full-noon trill, the song of me rising from bed and meeting the sun.
Have you reckon’d a thousand acres much? have you reckon’d the earth much?
Have you practis’d so long to learn to read?
Have you felt so proud to get at the meaning of poems?
Stop this day and night with me, and you shall possess the origin of all poems; 25
You shall possess the good of the earth and sun—(there are millions of suns left;)
You shall no longer take things at second or third hand, nor look through the eyes of the dead, nor feed on the spectres in books;
You shall not look through my eyes either, nor take things from me:
You shall listen to all sides, and filter them from yourself.
I have heard what the talkers were talking, the talk of the beginning and the end; 30
But I do not talk of the beginning or the end.
There was never any more inception than there is now,
Nor any more youth or age than there is now;
And will never be any more perfection than there is now,
Nor any more heaven or hell than there is now. 35
Urge, and urge, and urge;
Always the procreant urge of the world.
Out of the dimness opposite equals advance—always substance and increase, alwayssex;
Always a knit of identity—always distinction—always a breed of life.
To elaborate is no avail—learn’d and unlearn’d feel that it is so. 40
Sure as the most certain sure, plumb in the uprights, well entretied, braced in the beams,
Stout as a horse, affectionate, haughty, electrical,
I and this mystery, here we stand.
Clear and sweet is my Soul, and clear and sweet is all that is not my Soul.
Lack one lacks both, and the unseen is proved by the seen, 45
Till that becomes unseen, and receives proof in its turn.
Showing the best, and dividing it from the worst, age vexes age;
Knowing the perfect fitness and equanimity of things, while they discuss I am silent, and go bathe and admire myself.
Welcome is every organ and attribute of me, and of any man hearty and clean;
Not an inch, nor a particle of an inch, is vile, and none shall be less familiar than the rest. 50
I am satisfied—I see, dance, laugh, sing:
As the hugging and loving Bed-fellow sleeps at my side through the night, and withdraws at the peep of the day, with stealthy tread,
Leaving me baskets cover’d with white towels, swelling the house with their plenty,
Shall I postpone my acceptation and realization, and scream at my eyes,
That they turn from gazing after and down the road, 55
And forthwith cipher and show me a cent,
Exactly the contents of one, and exactly the contents of two, and which is ahead?
Trippers and askers surround me;
People I meet—the effect upon me of my early life, or the ward and city I live in, or the nation,
The latest dates, discoveries, inventions, societies, authors old and new, 60
My dinner, dress, associates, looks, compliments, dues,
The real or fancied indifference of some man or woman I love,
The sickness of one of my folks, or of myself, or ill-doing, or loss or lack of money, or depressions or exaltations;
Battles, the horrors of fratricidal war, the fever of doubtful news, the fitful events;
These come to me days and nights, and go from me again, 65
But they are not the Me myself.
Apart from the pulling and hauling stands what I am;
Stands amused, complacent, compassionating, idle, unitary;
Looks down, is erect, or bends an arm on an impalpable certain rest,
Looking with side-curved head, curious what will come next; 70
Both in and out of the game, and watching and wondering at it.
Backward I see in my own days where I sweated through fog with linguists and contenders;
I have no mockings or arguments—I witness and wait.
I believe in you, my Soul—the other I am must not abase itself to you;
And you must not be abased to the other. 75
Loafe with me on the grass—loose the stop from your throat;
Not words, not music or rhyme I want—not custom or lecture, not even the best;
Only the lull I like, the hum of your valved voice.
I mind how once we lay, such a transparent summer morning;
How you settled your head athwart my hips, and gently turn’d over upon me, 80
And parted the shirt from my bosom-bone, and plunged your tongue to my bare-stript heart,
And reach’d till you felt my beard, and reach’d till you held my feet.
Swiftly arose and spread around me the peace and knowledge that pass all the argument of the earth;
And I know that the hand of God is the promise of my own,
And I know that the spirit of God is the brother of my own; 85
And that all the men ever born are also my brothers, and the women my sisters and lovers;
And that a kelson of the creation is love;
And limitless are leaves, stiff or drooping in the fields;
And brown ants in the little wells beneath them;
And mossy scabs of the worm fence, and heap’d stones, elder, mullen and poke-weed. 90
A child said, What is the grass? fetching it to me with full hands;
How could I answer the child? I do not know what it is, any more than he.
I guess it must be the flag of my disposition, out of hopeful green stuff woven.
Or I guess it is the handkerchief of the Lord,
A scented gift and remembrancer, designedly dropt, 95
Bearing the owner’s name someway in the corners, that we may see and remark, and say, Whose?
Or I guess the grass is itself a child, the produced babe of the vegetation.
Or I guess it is a uniform hieroglyphic;
And it means, Sprouting alike in broad zones and narrow zones,
Growing among black folks as among white; 100
Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I receive them the same.
And now it seems to me the beautiful uncut hair of graves.
Tenderly will I use you, curling grass;
It may be you transpire from the breasts of young men;
It may be if I had known them I would have loved them; 105
It may be you are from old people, and from women, and from offspring taken soon out of their mothers’ laps;
And here you are the mothers’ laps.
This grass is very dark to be from the white heads of old mothers;
Darker than the colorless beards of old men;
Dark to come from under the faint red roofs of mouths. 110
O I perceive after all so many uttering tongues!
And I perceive they do not come from the roofs of mouths for nothing.
I wish I could translate the hints about the dead young men and women,
And the hints about old men and mothers, and the offspring taken soon out of their laps.
What do you think has become of the young and old men? 115
And what do you think has become of the women and children?
They are alive and well somewhere;
The smallest sprout shows there is really no death;
And if ever there was, it led forward life, and does not wait at the end to arrest it,
And ceas’d the moment life appear’d. 120
All goes onward and outward—nothing collapses;
And to die is different from what any one supposed, and luckier.
Has any one supposed it lucky to be born?
I hasten to inform him or her, it is just as lucky to die, and I know it.
I pass death with the dying, and birth with the new-wash’d babe, and am not contain’d between my hat and boots; 125
And peruse manifold objects, no two alike, and every one good;
The earth good, and the stars good, and their adjuncts all good.
I am not an earth, nor an adjunct of an earth;
I am the mate and companion of people, all just as immortal and fathomless as myself;
(They do not know how immortal, but I know.) 130
Every kind for itself and its own—for me mine, male and female;
For me those that have been boys, and that love women;
For me the man that is proud, and feels how it stings to be slighted;
For me the sweet-heart and the old maid—for me mothers, and the mothers of mothers;
For me lips that have smiled, eyes that have shed tears; 135
For me children, and the begetters of children.
Undrape! you are not guilty to me, nor stale, nor discarded;
I see through the broadcloth and gingham, whether or no;
And am around, tenacious, acquisitive, tireless, and cannot be shaken away.
The little one sleeps in its cradle; 140
I lift the gauze, and look a long time, and silently brush away flies with my hand.
The youngster and the red-faced girl turn aside up the bushy hill;
I peeringly view them from the top.
The suicide sprawls on the bloody floor of the bed-room;
I witness the corpse with its dabbled hair—I note where the pistol has fallen. 145
The blab of the pave, the tires of carts, sluff of boot-soles, talk of the promenaders;
The heavy omnibus, the driver with his interrogating thumb, the clank of the shod horses on the granite floor;
The snow-sleighs, the clinking, shouted jokes, pelts of snowballs;
The hurrahs for popular favorites, the fury of rous’d mobs;
The flap of the curtain’d litter, a sick man inside, borne to the hospital; 150
The meeting of enemies, the sudden oath, the blows and fall;
The excited crowd, the policeman with his star, quickly working his passage to the centre of the crowd;
The impassive stones that receive and return so many echoes;
What groans of over-fed or half-starv’d who fall sun-struck, or in fits;
What exclamations of women taken suddenly, who hurry home and give birth to babes; 155
What living and buried speech is always vibrating here—what howls restrain’d by decorum;
Arrests of criminals, slights, adulterous offers made, acceptances, rejections with convex lips;
I mind them or the show or resonance of them—I come, and I depart.
The big doors of the country barn stand open and ready;
The dried grass of the harvest-time loads the slow-drawn wagon; 160
The clear light plays on the brown gray and green intertinged;
The armfuls are pack’d to the sagging mow.
I am there—I help—I came stretch’d atop of the load;
I felt its soft jolts—one leg reclined on the other;
I jump from the cross-beams, and seize the clover and timothy, 165
And roll head over heels, and tangle my hair full of wisps.
Alone, far in the wilds and mountains, I hunt,
Wandering, amazed at my own lightness and glee;
In the late afternoon choosing a safe spot to pass the night,
Kindling a fire and broiling the fresh-kill’d game; 170
Falling asleep on the gather’d leaves, with my dog and gun by my side.
The Yankee clipper is under her sky-sails—she cuts the sparkle and scud;
My eyes settle the land—I bend at her prow, or shout joyously from the deck.
The boatmen and clam-diggers arose early and stopt for me;
I tuck’d my trowser-ends in my boots, and went and had a good time: 175
(You should have been with us that day round the chowder-kettle.)
I saw the marriage of the trapper in the open air in the far west—the bride was a red girl;
Her father and his friends sat near, cross-legged and dumbly smoking—they had moccasins to their feet, and large thick blankets hanging from their shoulders;
On a bank lounged the trapper—he was drest mostly in skins—his luxuriant beard and curls protected his neck—he held his bride by the hand;
She had long eyelashes—her head was bare—her coarse straight locks descended upon her voluptuous limbs and reach’d to her feet. 180
The runaway slave came to my house and stopt outside;
I heard his motions crackling the twigs of the woodpile;
Through the swung half-door of the kitchen I saw him limpsy and weak,
And went where he sat on a log, and led him in and assured him,
And brought water, and fill’d a tub for his sweated body and bruis’d feet, 185
And gave him a room that enter’d from my own, and gave him some coarse clean clothes,
And remember perfectly well his revolving eyes and his awkwardness,
And remember putting plasters on the galls of his neck and ankles;
He staid with me a week before he was recuperated and pass’d north;
(I had him sit next me at table—my fire-lock lean’d in the corner.) 190
Twenty-eight young men bathe by the shore;
Twenty-eight young men, and all so friendly:
Twenty-eight years of womanly life, and all so lonesome.
She owns the fine house by the rise of the bank;
She hides, handsome and richly drest, aft the blinds of the window. 195
Which of the young men does she like the best?
Ah, the homeliest of them is beautiful to her.
Where are you off to, lady? for I see you;
You splash in the water there, yet stay stock still in your room.
Dancing and laughing along the beach came the twenty-ninth bather; 200
The rest did not see her, but she saw them and loved them.
The beards of the young men glisten’d with wet, it ran from their long hair:
Little streams pass’d all over their bodies.
An unseen hand also pass’d over their bodies;
It descended tremblingly from their temples and ribs. 205
The young men float on their backs—their white bellies bulge to the sun—they do not ask who seizes fast to them;
They do not know who puffs and declines with pendant and bending arch;
They do not think whom they souse with spray.
The butcher-boy puts off his killing clothes, or sharpens his knife at the stall in the market;
I loiter, enjoying his repartee, and his shuffle and break-down. 210
Blacksmiths with grimed and hairy chests environ the anvil;
Each has his main-sledge—they are all out—(there is a great heat in the fire.)
From the cinder-strew’d threshold I follow their movements;
The lithe sheer of their waists plays even with their massive arms;
Over-hand the hammers swing—over-hand so slow—over-hand so sure: 215
They do not hasten—each man hits in his place.
The negro holds firmly the reins of his four horses—the block swags underneath on its tied-over chain;
The negro that drives the dray of the stone-yard—steady and tall he stands, pois’d on one leg on the string-piece;
His blue shirt exposes his ample neck and breast, and loosens over his hip-band;
His glance is calm and commanding—he tosses the slouch of his hat away from his forehead; 220
The sun falls on his crispy hair and moustache—falls on the black of his polish’d and perfect limbs.
I behold the picturesque giant, and love him—and I do not stop there;
I go with the team also.
In me the caresser of life wherever moving—backward as well as forward slueing;
To niches aside and junior bending. 225
Oxen that rattle the yoke and chain, or halt in the leafy shade! what is that you express in your eyes?
It seems to me more than all the print I have read in my life.
My tread scares the wood-drake and wood-duck, on my distant and day-long ramble;
They rise together—they slowly circle around.
I believe in those wing’d purposes, 230
And acknowledge red, yellow, white, playing within me,
And consider green and violet, and the tufted crown, intentional;
And do not call the tortoise unworthy because she is not something else;
And the jay in the woods never studied the gamut, yet trills pretty well to me;
And the look of the bay mare shames silliness out of me. 235
The wild gander leads his flock through the cool night;
Ya-honk! he says, and sounds it down to me like an invitation;
(The pert may suppose it meaningless, but I listen close;
I find its purpose and place up there toward the wintry sky.)
The sharp-hoof’d moose of the north, the cat on the house-sill, the chickadee, the prairie-dog, 240
The litter of the grunting sow as they tug at her teats,
The brood of the turkey-hen, and she with her half-spread wings;
I see in them and myself the same old law.
The press of my foot to the earth springs a hundred affections;
They scorn the best I can do to relate them. 245
I am enamour’d of growing out-doors,
Of men that live among cattle, or taste of the ocean or woods,
Of the builders and steerers of ships, and the wielders of axes and mauls, and the drivers of horses;
I can eat and sleep with them week in and week out.
What is commonest, cheapest, nearest, easiest, is Me; 250
Me going in for my chances, spending for vast returns;
Adorning myself to bestow myself on the first that will take me;
Not asking the sky to come down to my good will;
Scattering it freely forever.
The pure contralto sings in the organ loft; 255
The carpenter dresses his plank—the tongue of his foreplane whistles its wild ascending lisp;
The married and unmarried children ride home to their Thanksgiving dinner;
The pilot seizes the king-pin—he heaves down with a strong arm;
The mate stands braced in the whale-boat—lance and harpoon are ready;
The duck-shooter walks by silent and cautious stretches; 260
The deacons are ordain’d with cross’d hands at the altar;
The spinning-girl retreats and advances to the hum of the big wheel;
The farmer stops by the bars, as he walks on a First-day loafe, and looks at the oats and rye;
The lunatic is carried at last to the asylum, a confirm’d case,
(He will never sleep any more as he did in the cot in his mother’s bed-room;) 265
The jour printer with gray head and gaunt jaws works at his case,
He turns his quid of tobacco, while his eyes blurr with the manuscript;
The malform’d limbs are tied to the surgeon’s table,
What is removed drops horribly in a pail;
The quadroon girl is sold at the auction-stand—the drunkard nods by the bar-room stove; 270
The machinist rolls up his sleeves—the policeman travels his beat—the gate-keeper marks who pass;
The young fellow drives the express-wagon—(I love him, though I do not know him;)
The half-breed straps on his light boots to complete in the race;
The western turkey-shooting draws old and young—some lean on their rifles, some sit on logs,
Out from the crowd steps the marksman, takes his position, levels his piece; 275
The groups of newly-come immigrants cover the wharf or levee;
As the woolly-pates hoe in the sugar-field, the overseer views them from his saddle;
The bugle calls in the ball-room, the gentlemen run for their partners, the dancers bow to each other;
The youth lies awake in the cedar-roof’d garret, and harks to the musical rain;
The Wolverine sets traps on the creek that helps fill the Huron; 280
The squaw, wrapt in her yellow-hemm’d cloth, is offering moccasins and bead-bags for sale;
The connoisseur peers along the exhibition-gallery with half-shut eyes bent sideways;
As the deck-hands make fast the steamboat, the plank is thrown for the shore-going passengers;
The young sister holds out the skein, while the elder sister winds it off in a ball, and stops now and then for the knots;
The one-year wife is recovering and happy, having a week ago borne her first child; 285
The clean-hair’d Yankee girl works with her sewing-machine, or in the factory or mill;
The nine months’ gone is in the parturition chamber, her faintness and pains are advancing;
The paving-man leans on his two-handed rammer—the reporter’s lead flies swiftly over the note-book—the sign-painter is lettering with red and gold;
The canal boy trots on the tow-path—the book-keeper counts at his desk—the shoemaker waxes his thread;
The conductor beats time for the band, and all the performers follow him; 290
The child is baptized—the convert is making his first professions;
The regatta is spread on the bay—the race is begun—how the white sails sparkle!
The drover, watching his drove, sings out to them that would stray;
The pedler sweats with his pack on his back, (the purchaser higgling about the odd cent;)
The camera and plate are prepared, the lady must sit for her daguerreotype; 295
The bride unrumples her white dress, the minute-hand of the clock moves slowly;
The opium-eater reclines with rigid head and just-open’d lips;
The prostitute draggles her shawl, her bonnet bobs on her tipsy and pimpled neck;
The crowd laugh at her blackguard oaths, the men jeer and wink to each other;
(Miserable! I do not laugh at your oaths, nor jeer you;) 300
The President, holding a cabinet council, is surrounded by the Great Secretaries;
On the piazza walk three matrons stately and friendly with twined arms;
The crew of the fish-smack pack repeated layers of halibut in the hold;
The Missourian crosses the plains, toting his wares and his cattle;
As the fare-collector goes through the train, he gives notice by the jingling of loose change; 305
The floor-men are laying the floor—the tinners are tinning the roof—the masons are calling for mortar;
In single file, each shouldering his hod, pass onward the laborers;
Seasons pursuing each other, the indescribable crowd is gather’d—it is the Fourth ofSeventh-month—(What salutes of cannon and small arms!)
Seasons pursuing each other, the plougher ploughs, the mower mows, and the winter-grain falls in the ground;
Off on the lakes the pike-fisher watches and waits by the hole in the frozen surface; 310
The stumps stand thick round the clearing, the squatter strikes deep with his axe;
Flatboatmen make fast, towards dusk, near the cottonwood or pekan-trees;
Coon-seekers go through the regions of the Red river, or through those drain’d by the Tennessee, or through those of the Arkansaw;
Torches shine in the dark that hangs on the Chattahoochee or Altamahaw;
Patriarchs sit at supper with sons and grandsons and great-grandsons around them; 315
In walls of adobie, in canvas tents, rest hunters and trappers after their day’s sport;
The city sleeps, and the country sleeps;
The living sleep for their time, the dead sleep for their time;
The old husband sleeps by his wife, and the young husband sleeps by his wife;
And these one and all tend inward to me, and I tend outward to them; 320
And such as it is to be of these, more or less, I am.
I am of old and young, of the foolish as much as the wise;
Regardless of others, ever regardful of others,
Maternal as well as paternal, a child as well as a man,
Stuff’d with the stuff that is coarse, and stuff’d with the stuff that is fine; 325
One of the Great Nation, the nation of many nations, the smallest the same, and the largest the same;
A southerner soon as a northerner—a planter nonchalant and hospitable, down by the Oconee I live;
A Yankee, bound by my own way, ready for trade, my joints the limberest joints on earth, and the sternest joints on earth;
A Kentuckian, walking the vale of the Elkhorn, in my deer-skin leggings—a Louisianian or Georgian;
A boatman over lakes or bays, or along coasts—a Hoosier, Badger, Buckeye; 330
At home on Kanadian snow-shoes, or up in the bush, or with fishermen off Newfoundland;
At home in the fleet of ice-boats, sailing with the rest and tacking;
At home on the hills of Vermont, or in the woods of Maine, or the Texan ranch;
Comrade of Californians—comrade of free north-westerners, (loving their big proportions;)
Comrade of raftsmen and coalmen—comrade of all who shake hands and welcome to drink and meat; 335
A learner with the simplest, a teacher of the thoughtfullest;
A novice beginning, yet experient of myriads of seasons;
Of every hue and caste am I, of every rank and religion;
A farmer, mechanic, artist, gentleman, sailor, quaker;
A prisoner, fancy-man, rowdy, lawyer, physician, priest. 340
I resist anything better than my own diversity;
I breathe the air, but leave plenty after me,
And am not stuck up, and am in my place.
(The moth and the fish-eggs are in their place;
The suns I see, and the suns I cannot see, are in their place; 345
The palpable is in its place, and the impalpable is in its place.)
These are the thoughts of all men in all ages and lands—they are not original with me;
If they are not yours as much as mine, they are nothing, or next to nothing;
If they are not the riddle, and the untying of the riddle, they are nothing;
If they are not just as close as they are distant, they are nothing. 350
This is the grass that grows wherever the land is, and the water is;
This is the common air that bathes the globe.
With music strong I come—with my cornets and my drums,
I play not marches for accepted victors only—I play great marches for conquer’d and slain persons.
Have you heard that it was good to gain the day? 355
I also say it is good to fall—battles are lost in the same spirit in which they are won.
I beat and pound for the dead;
I blow through my embouchures my loudest and gayest for them.
Vivas to those who have fail’d!
And to those whose war-vessels sank in the sea! 360
And to those themselves who sank in the sea!
And to all generals that lost engagements! and all overcome heroes!
And the numberless unknown heroes, equal to the greatest heroes known.
This is the meal equally set—this is the meat for natural hunger;
It is for the wicked just the same as the righteous—I make appointments with all; 365
I will not have a single person slighted or left away;
The kept-woman, sponger, thief, are hereby invited;
The heavy-lipp’d slave is invited—the venerealee is invited:
There shall be no difference between them and the rest.
This is the press of a bashful hand—this is the float and odor of hair; 370
This is the touch of my lips to yours—this is the murmur of yearning;
This is the far-off depth and height reflecting my own face;
This is the thoughtful merge of myself, and the outlet again.
Do you guess I have some intricate purpose?
Well, I have—for the Fourth-month showers have, and the mica on the side of a rock has. 375
Do you take it I would astonish?
Does the daylight astonish? Does the early redstart, twittering through the woods?
Do I astonish more than they?
This hour I tell things in confidence;
I might not tell everybody, but I will tell you. 380
Who goes there? hankering, gross, mystical, nude;
How is it I extract strength from the beef I eat?
What is a man, anyhow? What am I? What are you?
All I mark as my own, you shall offset it with your own;
Else it were time lost listening to me. 385
I do not snivel that snivel the world over,
That months are vacuums, and the ground but wallow and filth;
That life is a suck and a sell, and nothing remains at the end but threadbare crape, and tears.
Whimpering and truckling fold with powders for invalids—conformity goes to the fourth-remov’d;
I wear my hat as I please, indoors or out. 390
Why should I pray? Why should I venerate and be ceremonious?
Having pried through the strata, analyzed to a hair, counsell’d with doctors, and calculated close,
I find no sweeter fat than sticks to my own bones.
In all people I see myself—none more, and not one a barleycorn less;
And the good or bad I say of myself, I say of them. 395
And I know I am solid and sound;
To me the converging objects of the universe perpetually flow;
All are written to me, and I must get what the writing means.
I know I am deathless;
I know this orbit of mine cannot be swept by the carpenter’s compass; 400
I know I shall not pass like a child’s carlacue cut with a burnt stick at night.
I know I am august;
I do not trouble my spirit to vindicate itself or be understood;
I see that the elementary laws never apologize;
(I reckon I behave no prouder than the level I plant my house by, after all.) 405
I exist as I am—that is enough;
If no other in the world be aware, I sit content;
And if each and all be aware, I sit content.
One world is aware, and by far the largest to me, and that is myself;
And whether I come to my own to-day, or in ten thousand or ten million years, 410
I can cheerfully take it now, or with equal cheerfulness I can wait.
My foothold is tenon’d and mortis’d in granite;
I laugh at what you call dissolution;
And I know the amplitude of time.
I am the poet of the Body; 415
And I am the poet of the Soul.
The pleasures of heaven are with me, and the pains of hell are with me;
The first I graft and increase upon myself—the latter I translate into a new tongue.
I am the poet of the woman the same as the man;
And I say it is as great to be a woman as to be a man; 420
And I say there is nothing greater than the mother of men.
I chant the chant of dilation or pride;
We have had ducking and deprecating about enough;
I show that size is only development.
Have you outstript the rest? Are you the President? 425
It is a trifle—they will more than arrive there, every one, and still pass on.
I am he that walks with the tender and growing night;
I call to the earth and sea, half-held by the night.
Press close, bare-bosom’d night! Press close, magnetic, nourishing night!
Night of south winds! night of the large few stars! 430
Still, nodding night! mad, naked, summer night.
Smile, O voluptuous, cool-breath’d earth!
Earth of the slumbering and liquid trees;
Earth of departed sunset! earth of the mountains, misty-topt!
Earth of the vitreous pour of the full moon, just tinged with blue! 435
Earth of shine and dark, mottling the tide of the river!
Earth of the limpid gray of clouds, brighter and clearer for my sake!
Far-swooping elbow’d earth! rich, apple-blossom’d earth!
Smile, for your lover comes!
Prodigal, you have given me love! Therefore I to you give love! 440
O unspeakable, passionate love!
You sea! I resign myself to you also—I guess what you mean;
I behold from the beach your crooked inviting fingers;
I believe you refuse to go back without feeling of me;
We must have a turn together—I undress—hurry me out of sight of the land; 445
Cushion me soft, rock me in billowy drowse;
Dash me with amorous wet—I can repay you.
Sea of stretch’d ground-swells!
Sea breathing broad and convulsive breaths!
Sea of the brine of life! sea of unshovell’d yet always-ready graves! 450
Howler and scooper of storms! capricious and dainty sea!
I am integral with you—I too am of one phase, and of all phases.
Partaker of influx and efflux I—extoller of hate and conciliation;
Extoller of amies, and those that sleep in each others’ arms.
I am he attesting sympathy; 455
(Shall I make my list of things in the house, and skip the house that supports them?)
I am not the poet of goodness only—I do not decline to be the poet of wickedness also.
Washes and razors for foofoos—for me freckles and a bristling beard.
What blurt is this about virtue and about vice?
Evil propels me, and reform of evil propels me—I stand indifferent; 460
My gait is no fault-finder’s or rejecter’s gait;
I moisten the roots of all that has grown.
Did you fear some scrofula out of the unflagging pregnancy?
Did you guess the celestial laws are yet to be work’d over and rectified?
I find one side a balance, and the antipodal side a balance; 465
Soft doctrine as steady help as stable doctrine;
Thoughts and deeds of the present, our rouse and early start.
This minute that comes to me over the past decillions,
There is no better than it and now.
What behaved well in the past, or behaves well to-day, is not such a wonder; 470
The wonder is, always and always, how there can be a mean man or an infidel.
Endless unfolding of words of ages!
And mine a word of the modern—the word En-Masse.
A word of the faith that never balks;
Here or henceforward, it is all the same to me—I accept Time, absolutely. 475
It alone is without flaw—it rounds and completes all;
That mystic, baffling wonder I love, alone completes all.
I accept reality, and dare not question it;
Materialism first and last imbuing.
Hurrah for positive science! long live exact demonstration! 480
Fetch stonecrop, mixt with cedar and branches of lilac;
This is the lexicographer—this the chemist—this made a grammar of the old cartouches;
These mariners put the ship through dangerous unknown seas;
This is the geologist—this works with the scalpel—and this is a mathematician.
Gentlemen! to you the first honors always: 485
Your facts are useful and real—and yet they are not my dwelling;
(I but enter by them to an area of my dwelling.)
Less the reminders of properties told, my words;
And more the reminders, they, of life untold, and of freedom and extrication,
And make short account of neuters and geldings, and favor men and women fully equipt, 490
And beat the gong of revolt, and stop with fugitives, and them that plot and conspire.
Walt Whitman am I, a Kosmos, of mighty Manhattan the son,
Turbulent, fleshy and sensual, eating, drinking and breeding;
No sentimentalist—no stander above men and women, or apart from them;
No more modest than immodest. 495
Unscrew the locks from the doors!
Unscrew the doors themselves from their jambs!
Whoever degrades another degrades me;
And whatever is done or said returns at last to me.
Through me the afflatus surging and surging—through me the current and index. 500
I speak the pass-word primeval—I give the sign of democracy;
By God! I will accept nothing which all cannot have their counterpart of on the same terms.
Through me many long dumb voices;
Voices of the interminable generations of slaves;
Voices of prostitutes, and of deform’d persons; 505
Voices of the diseas’d and despairing, and of thieves and dwarfs;
Voices of cycles of preparation and accretion,
And of the threads that connect the stars—and of wombs, and of the father-stuff,
And of the rights of them the others are down upon;
Of the trivial, flat, foolish, despised, 510
Fog in the air, beetles rolling balls of dung.
Through me forbidden voices;
Voice of sexes and lusts—voices veil’d, and I remove the veil;
Voices indecent, by me clarified and transfigur’d.
I do not press my fingers across my mouth; 515
I keep as delicate around the bowels as around the head and heart;
Copulation is no more rank to me than death is.
I believe in the flesh and the appetites;
Seeing, hearing, feeling, are miracles, and each part and tag of me is a miracle.
Divine am I inside and out, and I make holy whatever I touch or am touch’d from; 520
The scent of these arm-pits, aroma finer than prayer;
This head more than churches, bibles, and all the creeds.
If I worship one thing more than another, it shall be the spread of my own body, or any part of it.
Translucent mould of me, it shall be you!
Shaded ledges and rests, it shall be you! 525
Firm masculine colter, it shall be you.
Whatever goes to the tilth of me, it shall be you!
You my rich blood! Your milky stream, pale strippings of my life.
Breast that presses against other breasts, it shall be you!
My brain, it shall be your occult convolutions. 530
Root of wash’d sweet flag! timorous pond-snipe! nest of guarded duplicate eggs! it shall be you!
Mix’d tussled hay of head, beard, brawn, it shall be you!
Trickling sap of maple! fibre of manly wheat! it shall be you!
Sun so generous, it shall be you!
Vapors lighting and shading my face, it shall be you! 535
You sweaty brooks and dews, it shall be you!
Winds whose soft-tickling genitals rub against me, it shall be you!
Broad, muscular fields! branches of live oak! loving lounger in my winding paths! it shall be you!
Hands I have taken—face I have kiss’d—mortal I have ever touch’d! it shall be you.
I dote on myself—there is that lot of me, and all so luscious; 540
Each moment, and whatever happens, thrills me with joy.
O I am wonderful!
I cannot tell how my ankles bend, nor whence the cause of my faintest wish;
Nor the cause of the friendship I emit, nor the cause of the friendship I take again.
That I walk up my stoop! I pause to consider if it really be; 545
A morning-glory at my window satisfies me more than the metaphysics of books.
To behold the day-break!
The little light fades the immense and diaphanous shadows;
The air tastes good to my palate.
Hefts of the moving world, at innocent gambols, silently rising, freshly exuding, 550
Scooting obliquely high and low.
Something I cannot see puts upward libidinous prongs;
Seas of bright juice suffuse heaven.
The earth by the sky staid with—the daily close of their junction;
The heav’d challenge from the east that moment over my head; 555
The mocking taunt, See then whether you shall be master!
Dazzling and tremendous, how quick the sun-rise would kill me,
If I could not now and always send sun-rise out of me.
We also ascend, dazzling and tremendous as the sun;
We found our own, O my Soul, in the calm and cool of the daybreak. 560
My voice goes after what my eyes cannot reach;
With the twirl of my tongue I encompass worlds, and volumes of worlds.
Speech is the twin of my vision—it is unequal to measure itself;
It provokes me forever;
It says sarcastically, Walt, you contain enough—why don’t you let it out, then? 565
Come now, I will not be tantalized—you conceive too much of articulation.
Do you not know, O speech, how the buds beneath you are folded?
Waiting in gloom, protected by frost;
The dirt receding before my prophetical screams;
I underlying causes, to balance them at last; 570
My knowledge my live parts—it keeping tally with the meaning of things,
HAPPINESS—which, whoever hears me, let him or her set out in search of this day.
My final merit I refuse you—I refuse putting from me what I really am;
Encompass worlds, but never try to encompass me;
I crowd your sleekest and best by simply looking toward you. 575
Writing and talk do not prove me;
I carry the plenum of proof, and everything else, in my face;
With the hush of my lips I wholly confound the skeptic.
I think I will do nothing now but listen,
To accrue what I hear into myself—to let sounds contribute toward me. 580
I hear bravuras of birds, bustle of growing wheat, gossip of flames, clack of sticks cooking my meals;
I hear the sound I love, the sound of the human voice;
I hear all sounds running together, combined, fused or following;
Sounds of the city, and sounds out of the city—sounds of the day and night;
Talkative young ones to those that like them—the loud laugh of work-people at their meals; 585
The angry base of disjointed friendship—the faint tones of the sick;
The judge with hands tight to the desk, his pallid lips pronouncing a death-sentence;
The heave’e’yo of stevedores unlading ships by the wharves—the refrain of the anchor-lifters;
The ring of alarm-bells—the cry of fire—the whirr of swift-streaking engines and hose-carts, with premonitory tinkles, and color’d lights;
The steam-whistle—the solid roll of the train of approaching cars; 590
The slow-march play’d at the head of the association, marching two and two,
(They go to guard some corpse—the flag-tops are draped with black muslin.)
I hear the violoncello (’tis the young man’s heart’s complaint;)
I hear the key’d cornet—it glides quickly in through my ears;
It shakes mad-sweet pangs through my belly and breast. 595
I hear the chorus—it is a grand opera;
Ah, this indeed is music! This suits me.
A tenor large and fresh as the creation fills me;
The orbic flex of his mouth is pouring and filling me full.
I hear the train’d soprano—(what work, with hers, is this?) 600
The orchestra whirls me wider than Uranus flies;
It wrenches such ardors from me, I did not know I possess’d them;
It sails me—I dab with bare feet—they are lick’d by the indolent waves;
I am exposed, cut by bitter and angry hail—I lose my breath,
Steep’d amid honey’d morphine, my windpipe throttled in fakes of death; 605
At length let up again to feel the puzzle of puzzles,
And that we call BEING.
To be, in any form—what is that?
(Round and round we go, all of us, and ever come back thither;)
If nothing lay more develop’d, the quahaug in its callous shell were enough. 610